ABU-LUGHOD VEILED SENTIMENTS PDF

Updated Edition With a New Preface Lila Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years. First published in , Lila Abu-Lughod’sVeiled Sentimentshas become a classic ethnography in the field of anthropology. During the late s and early LILA ABU-LUGHOD, Veiled sentiments: honour and poetry in a Bedouin society, Veiled sentiments begins by clearly positioning the author as she enters the.

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The book give you the chance to get a closer understandment of the Bedouin society. These poems are called ghinnawa to the Bedouin.

Thus, she changed the course abu-lugghod her research to instead focus on the use of poetry in personal expression and confidential communication. This somewhat drastic change of plans although her new topic embodied elements of social interaction as well portrays an ethnographic strength: Abu-Lughod was flexible about what veled be her specific research. This is indicative of a transformation from classical to modern anthropology, in which the researcher works retrospectively rather than prospectively.

Specifically, she intended to show that sentiments can actually symbolize values and that expression of these sentiments by individuals contributes to representations of the self, representations that are tied to morality, which in turn is ultimately tied to politics in swntiments broadest sense.

What are individuals symbolizing about themselves through expression of these non-virtuous sentiments?

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Veiled Sentiments: Honor and Poetry in a Bedouin Society Summary & Study Guide

She also takes this time to express her discomfort in rereading her ethnography, particularly in the presentation of people in the book as subjects in a scientific project. This uneasiness about rereading is a problem that many anthropologists must feel in retrospect, so it is helpful that she touches on this before the reader moves into the ethnography.

This admission is also honest and refreshing to a reader who may not have thought in those terms. Abu-Lughod is critical of herself and her methodologies, which is crucial for any researcher. Abu-Lughod then moves into the body of her ethnography with grace.

Her overall diction and style sentmients writing are informative and honest.

Veiled Sentiments: Honor and Poetry in a Bedouin Society Summary & Study Guide

The writing is narrative, as it tells a story about the people she lived with, and it seems that she uses this ethnography as a way to transfer Bedouin stories vekled a larger audience. She moves through the ethnography discussing the confidentiality of poetry e. The overarching theme is that poetry is used as a vehicle to express sentiments that are not necessarily talked about in the open; poetry is a particular discourse of how to express taboo.

Account Options Sign in. The poems are haunting, the evocation of emotional My library Help Advanced Book Search. University of California Pr Amazon.

Veiled Sentiments: Honor and Poetry in a Bedouin Society (updated with a new preface)

Honor and Poetry in a Bedouin Society. University of California Press- Social Science – pages. Updated Edition With a New Preface Lila Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years, studying gender relations and the oral lyric poetry through which women and young men express personal feelings.

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The poems are haunting, the evocation of emotional life vivid. But her analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of a system of social hierarchy. What begins as a abu-lugod about a single poetic genre becomes a reflection on the politics of sentiment and the relationship between ideology and human experience.

User Review – Flag as inappropriate The book give you the chance to get a closer understandment of the Bedouin society.

Selected pages Title Page. Other editions – View all Veiled Sentiments: References to this book Fieldwork in Educational Settings: Desjarlais Limited preview – She is the author of Writing Women’s Worlds: Bedouin Stories California, and editor of Remaking Women: Feminism and Modernity in the Middle East Fieldwork in Educational Settings: